Weddings Real & Mythical

Published on 30 May 2026 at 12:10

 

This week I had visitors to the studio. The Bride had commissioned me to paint her wedding 23 years ago.  She had given me a few blurry photos, told me how she and her groom had gone down to Cloghane Strand, Co.Kerry, Ireland. just below the church to take wedding photos. She described the wind, the sky and the birds to me, enough information to create a painting.

I did the first one," UP IN THE AIR trying to recreate her day, and then a more stylised painting called "THE FIRST DANCE" Guess which one she chose.

UP IN THE AIR.

THE FIRST DANCE

Going To The Church.  Had to include this painting  as it is a bride on the threshold of entering the local church in Castlegregory.

 

This painting wasn't commissioned; I did the painting as a gift for my son Kieran and his bride Fiona. They were married in Sydney and they are standing on a balcony overlooking Sydney Harbour. The white swan is native to Ireland and the black swan Australia.

THE SELKIE BRIDE. a purely mythical painting

The story of the Selkie can be found in many forms all over the world, wherever there are fishing communities and I was surprised that Kilshannig in The Maharees, where I live, had its own story of the Selkie. If you would like to read the story, I have posted it below.

 

Story of the Selkie in Irish folklore is based on a fisherman from Kilshannig, Co. Kerry, who took a seal woman for his bride.
 

"The Atlantic surf crashed heavily against the rocks of Kilshannig, a small, wind-scoured village on the northern edge of the Maharees peninsula in County Kerry. Here lived Tadhg, a fisherman who knew the moods of the sea better than the minds of men. 

One autumn evening, as a silver mist crawled across the bay, Tadhg walked the deserted strand. Through the gloom, he heard a sound that was not the wind—a low, melodic crying. Creeping behind a ridge of black stone, he saw a sight that froze the breath in his chest. A group of women, pale as moonlight and beautifully formed, were dancing on the sand. Nearby lay a heap of dark, sleek sealskins.
Tadhg knew the old winter-night tales. These were the Selkies—the seal people who could shed their marine pelts to walk on land as humans, but who could never return to the ocean if their skin was lost. [1, 2]
Driven by a sudden, desperate loneliness, Tadhg lunged forward, snatched the nearest sealskin, and hid it beneath his heavy woollen coat. The dancers startled. Snatching their skins, they dived back into the foaming waves as seals. Only one remained. She stood shivering on the cold sand, a woman of heartbreaking beauty, weeping for her lost coat. [1]
Tadhg approached her gently, covering her bare shoulders with his cloak. He spoke softly, promising to care for her, to keep her warm, and to give her a home. Finding her skin gone, and with it her passage home to the deep, she had no choice but to follow him to his small stone cottage.
He hid the sealskin deep within the thatch of his roof, burying it where no one would think to look.
Years passed in the quiet rhythm of the Kerry coast. The seal woman became Tadhg’s wife, and the village grew to know her as Muireann. She was a good wife, quiet and gentle, though her eyes always held the shifting, gray-green color of the sea. She bore Tadhg three children, each of them possessing a strange, wild grace and a deep love for the water. [1]
Tadhg loved her fiercely, providing well with his nets, and in time, he believed she had forgotten her ocean life. But Muireann never truly belonged to the land. On stormy nights, when the gales howled off Tralee Bay, she would stand by the window, staring out at the whitecaps, listening to the seals howling on the rocks.
One summer afternoon, while Tadhg was out fishing deep water past the Brandon Islands, the children were playing in the cottage. The youngest boy, chasing a rogue ball of twine, noticed something dark protruding from a rotting beam high in the thatch. Curious, the children poked at it with a broom until a bundle fell to the floor.
Muireann walked into the room and stopped dead. There, unrolled upon the flagstones, was her old skin—still thick, glossy, and smelling of salt and ancient tides.
The moment she touched the fur, the memories of the deep ocean flooded her soul. The longing was an ache she could no longer fight. She kissed her children, her tears falling warm upon their cheeks, and whispered that she loved them. Then, clasping the skin to her breast, she ran from the cottage down to the Kilshannig shore.
When Tadhg returned at dusk, he found his children weeping and the cottage door wide open. Racing to the strand, he cried out her name into the crashing waves.
Out in the surf, a large, beautiful seal rose from the water. She looked back at Tadhg one last time with eyes full of sorrow and love, dived beneath the swell, and was gone forever. 
Tadhg never remarried. Every day for the rest of his life, he fished the waters of Kerry, and it was said among the fishermen of the Maharees that his nets were always full, guided to him by a faithful seal that watched over his boat from the deep."

 

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